After reading “The Reality of the Gaze” by Giannino and Campbell (2012), I feel compelled to dispute the authors’ opening description of Flavor Flav and the rise of Public Enemy. Flavor Flav then as he would later with the “reality” show Flavor of Love was exploiting a social issue and doing it in a provocative manner that would ensure sales for his corporate bosses. Public Enemy exploited the oppression of African Americans in society by fueling their rap with angst and angry lyrics, which kicked off a whole new subgenre in rap. This allowed the more media savvy members of the group—like Ice-T—to leverage their popularity and pursue a career in Hollywood. Flavor Flav finally got his chance to bring back his persona with his VH1 reality show, which exploits the harem notion of women from reality dating shows.
The intersection of race, gender and society in a study like this implicitly puts a great deal of validity on a show like Flavor of Love as though it were an authentic cultural expression. It is not and should not be accepted as such: it is a concocted corporate version of The Bachelor for the African American community as well as the white community that grew up listening to Public Enemy and feels a nostalgic warmth for Flavor Flav and his explicit and angry lyrics. The reality is not that this show represents any type...
In this show, the producers are exploiting African Americans to promote an unrealistic image of relationships, and in doing so they hurt the concept of healthy human relationships in society. There is no real intersection of race, gender or society in this phenomenon because the whole thing is fabricated and concocted by the culture industry, as the Frankfurt School called it, in order to keep people oppressed by its superficial products.
2
After reading “From Good Times to Blackish” by Hill and Kelly, I can see yet again another artificial way in which the media represents families. Hill and Kelly show that economic times tend to set the standard for fatherhood, and that race and culture inform ethnic families about what fatherhood should be like. Yet in shows like Blackish just like in The Cosby Show, the well-to-do African American family is basically like any other white family because it is cut from the same economic cloth, while the reality of most black families is that black men are “overrepresented among the poor, incarcerated, the unemployed, and the unmarried-all factors…
